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Patrick Cann SAG-AFTRA / AGMA www.patrickcann.com Height: 5'10" Weight: 175 |
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TELEVISION
FBI - Co-Star (CBS)
L&O: Organized Crime - Co-Star (NBC)
Orange is the New Black - Co-Star (Netflix)
New Amsterdam - Co-Star (NBC)
The Blacklist - Co-Star (NBC)
City On A Hill - Co-Star (Showtime)
Bull - Co-Star (CBS)
Daredevil - Co-Star (Netflix)
NEW YORK THEATER
SURRENDER (Squad Leader)
Ohio Theatre/ Josh Fox, dir.
Stephen Schwartz: Making Music (Choir)
Chet Walker/Alex Lacamoire, dir.
The Birthday Boys (PFC Sampras)
Montserrat Mendez, dir.
References To Salvador Dali Make Me Hot (Benito)
Coryphaeus Theatre
Timon of Athens (Lucius/Poet)
The Kirk on Theatre Row
Two Gentlemen of Verona (Proteus)
Edward Berkeley, dir.
REGIONAL THEATER
Much Ado About Nothing (Ensemble)
Shakespeare Theatre, Washington D.C.
OPERA
The Metropolitan Opera (Acting Ensemble, 2007-present)
TRAINING
Circle In the Square Theatre School (NYC)— Acting Conservatory Program
Royal Academy of Dramatic Arts (London, England)— Summer Intensive
The Actors Space (Barcelona, Spain)— Summer Intensive
Prague Shakespeare Company (Prague, Czechia)— Summer Shakespeare Intensive
Upright Citizens Brigade (NYC)— Improv Levels 101-401
PATRICK CANN is a classically trained theatre and film actor based in New York City. After enlisting in the US Air Force at the age of 19 and serving for four years, he attended Circle in the Square Theater School, graduating in 2007. In addition to his work in New York's off-Broadway and experimental theater scene, his eclectic career has also seen him take part in major television productions, and is now in his 20th year as part of the acting ensemble of the famous Metropolitan Opera, becoming a full-time member of the company in 2022. He has performed at the Met in more than 50 different productions directed by leading directors such as Sir David McVicar, Graham Vick, Bartlett Sher, James Robinson, Mary Zimmerman and Ivo van Hove, under conductors such as Marco Armiliato, Daniele Rustioni, Fabio Luisi, James Conlon, Daniele Callegari, Yannick Nézet-Séguin, and many others. He has also taken part in historic Met productions such as Zeffirelli's famous La Bohéme and Turandot, G. Del Monaco's La Fanciulla del West, and Sonja Frisell's Aida. Patrick has expanded his coaching activities, focusing in particular on helping opera singers of all levels improve their performances through work on text analysis, movement, and stage combat.